Since this is my first post, I thought I should use this space to introduce myself and to offer some insight into both the project that brought me here and other things that I’ve been working on since I arrived in Washington. I’m here at the Center this year to… Read more
Humanities may be under attack, but thankfully Greek Epigraphy keeps thriving, at least in terms of sheer number of publications, as can be seen in SEG for which I have been working as an assistant editor since 2007. SEG LVI (2006) came out at the very end of 2010, but… Read more
In a recent article on artists' signatures in antiquity, Osborne has argued that such signatures reveal the socially embedded nature of pots, sculpture, gems etc., a collaboration between artist, object and end-user. As Osborne states, "What they all [plastic arts and literature] share is the sense that there is an 'author,' that the identity of the creator of these works is something worth knowing—and worth knowing because these are works… Read more
In this formulation, heavily indebted to Derrida, Svenbro sees the "language" of early epigram. While I am nearly entirely sympathetic to this idea, I would like to take a tour of the kind of factory in which these machines themselves are produced—I'm sure the upper management would have some very interesting things to say about Greek poetics. Read more
I will start with a cliché: apologies for my delayed first posting. Now, there is one question I often like to pose to undergraduate students: can they name one salient feature of Athenian democracy? Surely enough, ‘democratic elections’ or some version thereof is the most common answer. Read more
