Citation with persistent identifier: Nervegna, Sebastiana. “The Actors’ Repertoire, Fifth-Century Comedy and Early Tragic Revivals.” CHS Research Bulletin 3, no. 2 (2015). http://nrs.harvard.edu/urn-3:hlnc.essay:NervegnaS.The_Actors_Repertoire.2015 1§1 In antiquity as today, Greek tragedies circulated both as written texts for the reading public and as scripts for performance on public stages. Of… Read more
Citation with persistent identifier: Vessella, Carlo. “Atticist Lexica and the Pronunciation of Greek.” CHS Research Bulletin 3, no. 1 (2014). http://nrs.harvard.edu/urn-3:hlnc.essay:VessellaC.Atticist_Lexica_and_the_Pronunciation_of_Greek.2014 Atticism and pronunciation 1§1 This paper argues that some of the Atticist lexica written between the second and third centuries CE contain prescriptions that reveal ideas about the correct pronunciation… Read more
Εunoia is one of Isocrates’ core paideutic concepts. In my article, I aim to show that if Isocratean philosophical and rhetorical pedagogy is meaningfully modified and combined with eunoia into a nuanced system of Emotional Intelligence (EI), applicable to internal and international politics and public relations, then eunoia emerges as… Read more
This contribution deals with the theatrical afterlife of Euripides’ Telephus, Aeschylus’Edonians and Libation Bearers. The sources for their ancient reception share two features: (i) Classical dramatists recall the visual aspects of these plays, thus suggesting familiarity with their performance, decades after they premiered; and (ii) these tragedies can be consistently identified in the theatre-related records from… Read more
The goal of this article is primarily to highlight the phenomenon of the communication trough letter-writing from the city to its territory, from territory to territory or towards the inland regions, as a most important form of mobility in the corpus of Greek private letters. Entrusted to close relations or… Read more
