Abstract–The Actors’ Repertoire, Fifth-Century Drama and Early Tragic Revivals

Sebastiana Nervegna

This contribution deals with the theatrical afterlife of Euripides’ Telephus, Aeschylus’Edonians and Libation Bearers. The sources for their ancient reception share two features: (i) Classical dramatists recall the visual aspects of these plays, thus suggesting familiarity with their performance, decades after they premiered; and (ii) these tragedies can be consistently identified in the theatre-related records from the fourth century onwards. This pattern is probably not a coincidence. It suggests that these plays were reperformed around the Mediterranean after the fifth century because they were already successfully restaged in late fifth-century Attica.




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