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Οὐ τὸ νικᾶν ἀλλὰ τὸ εὖ ἀγωνίζεσθαι: Playing to win or to show off? Itinerant artists performing in unconventional ἀγῶνες in some decrees from Delphi (third to first century BC)

Citation with persistent identifier: Cinalli, Angela. “Οὐ τὸ νικᾶν ἀλλὰ τὸ εὖ ἀγωνίζεσθαι: Playing to win or to show off? Itinerant artists performing in unconventional ἀγῶνες in some decrees from Delphi (third to first century BC).” CHS Research Bulletin 2, no. 2 (2014). http://nrs.harvard.edu/urn-3:hlnc.essay:CinalliA.Playing_to_Win_or_to_Show_Off.2014 https://www.youtube.com/watch?v=hDSxrPi2rz0&feature=emb_title §1 In the… Read more

Leisure Rules in Archaic Greece: Legislation on Inebriation and Foul Play in Literary and Epigraphic Sources

Citation with persistent identifier: Martín González, Elena. “Leisure Rules in Archaic Greece: Legislation on Inebriation and Foul Play in Literary and Epigraphic Sources.” CHS Research Bulletin 2, no. 2 (2014). http://nrs.harvard.edu/urn-3:hlnc.essay:MartinGonzalezE.Leisure_Rules_in_Archaic_Greece.2014 http://www.youtube.com/watch?v=YULUBge3zpk 1§1 Communal wine-drinking and athletic competition are the quintessential leisure activities in the Archaic Greek society. Read more

The City at the Theater in Anatolia from the 260s to the 320s AD: Signs of a Major Transformation

Citation with persistent identifier: Pont, Anne-Valérie. “The City at the Theater in Anatolia from the 260s to the 320s AD: Signs of a Major Transformation.” CHS Research Bulletin 2, no. 2 (2014). http://nrs.harvard.edu/urn-3:hlnc.essay:PontAV.The_City_at_the_Theater_in_Anatolia_from_the_260s.2014 Introduction 1§1 The “theater” is, by definition and etymology, the scene of the performance, the place for… Read more

Early Reperformances of Drama in the Fifth Century

Citation with persistent identifier: Lamari, Anna. “Early Reperformances of Drama in the Fifth Century.” CHS Research Bulletin 2, no. 2 (2014). http://nrs.harvard.edu/urn-3:hlnc.essay:LamariA.Early_reperformances_of_drama_in_the_fifth_century.2014 Introduction 1§1 When we think of the three classical tragedians we usually picture them as writing, directing, or even performing their own plays, not as supervising the… Read more