Abstract Setting out to study the significance of Euripidean representations of cultic activities, I have used Andromache as a case study, in order to decode the ways female hiketeia is used in Euripides as a vehicle to engage with questions of cult, individual and collective characterization, gender and class disparities,… Read more
Abstract Whereas word order in Ancient Greek has long seemed to be an unsolvable crux of ancient grammar, recent advances in general syntax and the development of research on Information Structure made it possible to understand it in a new light. The aim of this report is to describe the… Read more
Citation with persistent identifier: Moore, Timothy J. “Unheard Melodies: Music and Meaning in Ancient Greek and Roman Theater.” CHS Research Bulletin 7 (2019). http://nrs.harvard.edu/urn-3:hlnc.essay:MooreT.Unheard_Melodies.2019 Abstract Virtually all theater in the Greco-Roman world was musical theater. Iambic trimeters were almost always spoken without accompaniment, but other meters were almost always sung or chanted… Read more
Citation with persistent identifier: Smith, Joshua. “Homer in the Margins: Literary Citation and the Ancient Commentary.” CHS Research Bulletin 7 (2019). http://nrs.harvard.edu/urn-3:hlnc.essay:SmithJ.Homer_in_the_Margins.2019 Abstract My project is an analysis of how and why Homer was cited by ancient Greek scholars in their commentaries to other authors, as evidenced by the extant scholia. On… Read more
Citation with persistent identifier: Németh, Attila. “The Metaphors of Conscientia in Seneca’s Epistles.” CHS Research Bulletin 7 (2019). http://nrs.harvard.edu/urn-3:hlnc.essay:NemethA.The_Metaphors_of_Conscientia.2019 Abstract In his philosophical works Seneca masterfully applies an inherited stock of imagery to illuminate some Stoic technical terminology in a context that is more meaningful and familiar to his Roman and later… Read more
