Humanities may be under attack, but thankfully Greek Epigraphy keeps thriving, at least in terms of sheer number of publications, as can be seen in SEG for which I have been working as an assistant editor since 2007. SEG LVI (2006) came out at the very end of 2010, but… Read more
To follow up on my last post, which concerned the great variety of couch styles represented on Athenian vases: If there were so many different types of klinai in the repertoire of Athenian vase painters, why did Plato choose to use the kline as a paradigm in his… Read more
I will start with a cliché: apologies for my delayed first posting. Now, there is one question I often like to pose to undergraduate students: can they name one salient feature of Athenian democracy? Surely enough, ‘democratic elections’ or some version thereof is the most common answer. Read more
The Kritios Boy, an underlifesize marble sculpture of the early fifth century B.C., has long been considered a touchstone of Greek art. It features prominently in textbooks, travels to major international exhibitions, and currently appears, elegantly spotlit, in the lavish new Acropolis Museum in Athens. Much scholarly ink has been… Read more
This week I have been looking at representations of klinai (couches) on Greek vases . . . lots of klinai on lots of Greek vases, thanks to the miraculous Beazley Archive Pottery Database. I am intrigued by the variety of ways Greek vase-painters depicted the couches on which their… Read more
