Victor Hugo says that Les Misérables is “a hydra at the beginning; an angel at the end.” Taking the theme of transformation from something deadly and devious into something kindly and benevolent, this paper investigates how two contemporaneous nineteenth-century authors of similar background, though they do not know each other,… Read more
The Sanctuary of Dionysos Eleuthereus on the south east slope of the Acropolis in Athens and the theatron that was erected above it, was the major and performance venue for fifth century Athenian drama and it is quite possible that almost every play from that period was created specifically for… Read more
Citation with persistent identifier: Modanez de Sant Anna, Henrique. “Domination and Legitimacy in Early Hellenistic Basileia: The Rise of Self-Proclaimed Kings.” CHS Research Bulletin 1, no. 2 (2013). http://nrs.harvard.edu/urn-3:hlnc.essay:ModanezdeSantAnnaH.Domination_and_Legitimacy_in_Early_Hellenistic_Basileia.2013 Introduction §1 In principle, one might be reluctant to apply Weberian theory to understanding the ancient world since that would mean… Read more
The presentation reviews some figurative paintings inside boxes that adorned the ceiling of the thalamos within the so-called tomb-Mound Ostrusha, found in ancient territories corresponding to present-day Bulgaria. It constitutes unquestionably one of most interesting… Read more
This paper consists of a preliminary reassessment of the activity and chronology of the Messenian sculptor Damophon, on the basis of three specific episodes of his career. A new inscription from the Asklepieion of Butrint and two honorary decrees issued for the sculptor by the cities of… Read more
